Checked Fabrics
Checked fabrics brings together small checks, large checks, tartan and plaid for curtains, furniture and details where the pattern should lend structure and a clear rhythm.
Eaton Check Fabric β Colefax & Fowler
Colefax & Fowler
from 2.770,00 SEK
Dunmore Check Fabric β Colefax & Fowler
Colefax & Fowler
2.170,00 SEK
Vallin Fabric β Osborne & Little
Osborne & Little
2.470,00 SEK
Normandie Fabric β Osborne & Little
Osborne & Little
2.720,00 SEK
Kintyre Check Fabric β Osborne & Little
Osborne & Little
1.770,00 SEK
Fitzgerald Fabric β Osborne & Little
Osborne & Little
1.870,00 SEK
Ebury Check Fabric β Colefax & Fowler
Colefax & Fowler
2.770,00 SEK
Dunvegan Fabric β Osborne & Little
Osborne & Little
800,00 SEK
Belgrave Check Fabric
Colefax & Fowler
2.770,00 SEK
Appledore Check Fabric β Colefax & Fowler
Colefax & Fowler
2.470,00 SEK
Pure Scroll Embroidery Fabric β Morris & Co
Morris & Co
2.870,00 SEK
Checked Fabrics
What is a checked fabric?
A checked fabric is created when horizontal and vertical lines form repeating blocks. The effect can be discreet with small checks, bold with large squares, or multicoloured as in tartan and plaid. Material, repeat and contrast decide whether the fabric is best suited to curtains, furniture or smaller details. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
Which checked fabrics are the most popular?
Popular checked fabrics include Dunmore Check and Appledore Check for classic checks, Coach Road Tartan and Kilchurn Plaid for multicoloured patterns, and Rigby and Corin for a more contemporary look. The choice should start from the colour range, the repeat and how much surface the pattern is to cover. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
Does checked fabric suit furniture?
Checked fabric works well on furniture when the pattern matching is planned carefully. The lines need to meet across seams, backs and cushions, particularly on chairs that will stand together. Check the durability rating and the recommended use. An armchair can carry a larger check, while a big sofa usually calls for quieter contrast. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
How do you combine checked fabrics with other patterns?
Combine checked fabrics with other patterns by varying the scale and letting one colour recur. A large check can meet a narrow stripe or a small floral; a dense tartan is well served by plain weaves and velvet. Avoid several checks of almost the same size, as they quickly begin to compete. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
Which checked fabric suits curtains?
Curtains suit checked fabrics with a drape and a repeat that work across wide lengths. Large checks read clearly and graphically, while smaller checks give a quieter backdrop. Check how the pleats affect the lines, and whether lining is needed for light, weight and a more even drape. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
Can I get help choosing a checked fabric?
Yes. Start with the visualisation on the product page once you are logged in, to see the fabric on a piece of furniture. Judge the fabric both vertically and horizontally, depending on the use. In the showroom at Sturegatan 20 in Stockholm we can help with repeat, pattern matching, fabric quantities and combinations with furniture and wallpapers. Always judge scale, colour and function in the actual room, since daylight, furnishing and viewing distance all affect how the choice feels day to day.
Checks, tartan and plaid
Dunmore Check Fabric and Eaton Check Fabric represent two ways of working with a clear check. Compare more textures and colourways within Colefax & Fowler fabrics, where the scale is often easy to use for both curtains and furniture.
Coach Road Tartan Fabric and Mill Pond Check Fabric give a more tailored look. Under Ralph Lauren Home fabrics you will find checks that can be combined with leather, wood, wool and simpler plain textiles.
Rigby Fabric and Cocota Fabric show a more contemporary route. Explore Romo fabrics when you are after softer colour ranges or checks with a pronounced woven texture.
Pattern matching on furniture
Fitzgerald Fabric and Kintyre Check Fabric call for careful placement across back, seat and arms. In Osborne & Little fabrics you can compare repeats and qualities for different furniture projects.
Straight lines quickly reveal any drift in the cutting. Ask your upholsterer or curtain maker to allow extra fabric for pattern matching. Across a set of dining chairs, the check should start at the same height and be centred in the same way for a calm result.
Bonham Fabric and Dunvegan Fabric can be used as quieter companions when a larger tartan is already present in the room. See more upholstery fabrics under fabrics and plan the whole furniture group at the same time.
Curtains and mixing patterns
Appledore Check Fabric makes a classic curtain with a clear rhythm, while Vallin Fabric can give more graphic presence. Judge the fabric vertically at the window and check how daylight shifts the colours.
Dalton Fabric and Corin Fabric can meet plain weaves, stripes or florals. Let one pattern be the largest, one be smaller and at least one surface stay quiet. On the wallpapers page you will find walls that support without duplicating the check.
In the bedroom checks bring order and textile warmth, while the living room often takes greater contrast. A rug can pick up a ground colour and tie curtain, armchair and sofa together.
Visualisation and calculations
Measure the repeat and see the fabric on a piece of furniture in the visualisation. A check can feel small close up yet become large across a wall of curtains. Check, too, how the lines meet window frames, skirting and the edges of furniture.
Use the visualisation on the product page once you are logged in. After that you can visit the showroom at Sturegatan 20 to compare fabrics and get help with fabric quantities, pleating and pattern matching.
For curtains, upholstery or tailored solutions, you can read more about made-to-order. Always keep the product number and a small piece of the fabric after the project, in case you need to add to it later.
The check as proportion and structure
The size of the check should relate to both the piece of furniture and the room. A large check can be clear and calm on a wide curtain yet feel fragmented on a small chair seat. A small check can give lovely texture across a set of dining chairs but read as visually dense over a whole sofa. So view the fabric via the visualisation on the product page across an area that matches the real use, not just as a small cut-out.
Colour contrast matters more than the size of the check itself. Two closely related tones give an almost plain impression from a distance, while dark and light lines make the pattern graphic. In rooms with a great deal of art or patterned wallpaper, a low contrast can be easier to live with. In a more pared-back room, a clear tartan or plaid can supply the textile weight that would otherwise be missing.
Think about where the seams fall, too. On a curtain a vertical line can be used to conceal a join, while a poor match makes the whole length look askew. On cushions and seat pads the check should be centred and continue naturally around the edges. Small adjustments in the cutting give a considerably more professional result.
Further points to consider
If the fabric is to be combined with timber, judge the warm and cool undertones in the check. Red and yellow lines often reinforce warm woods, while blue and grey checks can provide contrast. See the fabric on a piece of furniture in the visualisation and think about how it meets the floor. Differences in colour that seem slight on screen become obvious when large textile surfaces meet wood and wall colour.
A final check
Finally, check in the visualisation how the lines of the check run across the furniture, and bear in mind that they read differently in daylight and evening light, particularly if the fabric is to cover a large or curved piece of furniture.


























